In order to explain the amount of mainly guest anchored songs from the 'Carousel' sessions that would appear on the third Gorillaz record, Jamie Hewlett came up with the concept of having the band's fictional bassist Murdoc Niccals send his cyborg duplicate of guitarist Noodle out to kidnap artists, so they could appear on the new Gorillaz record. But despite being sick, the duo deliver an awesome performance that ties into one go the album's ideas. The two of them had never done something like this before, and on top of that, both Bashy and Kano had just caught a whiff of a nasty flu that was going around. Bashy and Kano felt uncomfortable about rapping on this track because of how complex and experimental the beat was.